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HOW OUR
DOCUMENTARIES
ARE PRODUCED
The Documentary Film Fund provides financial support for the creation of new documentary films. Heritage Film Project, led by filmmaker Eduardo Montes-Bradley, is the producing entity responsible for research, production, and delivery. This structure ensures fiscal accountability, creative independence, and broad educational impact.
The Art of Joy Brown stands as an exploration of the life and work of an American sculptor and ceramicist, a pioneer of the ancient Anagama tradition, revealing the artist’s profound commitment to the arts at the crossroads of cultural influences.
The Piccirilli Factor stands as an exploration of the lives and work of the Piccirilli Brothers, Italian immigrant sculptors whose mastery of stone shaped some of America’s most iconic monuments, revealing a profound commitment to artistic collaboration at the crossroads of craftsmanship, architecture, and national identity.
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UPCOMING EVENTS

The Byrd TheatreFri, Mar 13Richmond
St. Louis Fine Arts MuseumWed, Nov 11St. Louis


William Ferraro of the Washington Papers described Monroe Hill as a "scholarly masterpiece" for blending historical imagery, early film footage from D.W. Griffith's works, and modern analysis to argue Monroe Hill's pivotal role in early American development—achieved through high-quality prints of 1910s films capturing colonial aesthetics.
Composer, conductor, and teacher Alice Parker is a champion of the power of the human voice and a hero in the world of choral music. Montes-Bradley documentary illuminates Parker’s life and art through a series of intimate conversations that unfolded over what seems like an endless winter in the Berkshires.
Nous recherchons actuellement des partenaires européens pour la production d’un film documentaire consacré à la vie du pionnier de l’aviation Eduardo Bradley et à l’extraordinaire traversée de la cordillère des Andes en ballon à hydrogène. Ce projet explore une aventure humaine et technologique sans précédent, à la croisée de l’histoire, du courage et de l’imaginaire aéronautique, et vise à faire revivre un chapitre méconnu de l’aviation mondiale.
In Calzada: Reconstructing Havana, the artist invites us into an intimate process in which he meticulously fixes on canvas the deteriorated architecture that nearly half a century of neglect has turned his hometown of Havana into a demolition site. Exile and hope meet on film, revealing a singular passion to turn back the clock—both geographically and spiritually—to a better place preserved in Humberto Calzada’s memory.

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