BLOG

My primary medium for decades has been documentary film. That’s where I’ve told most of my stories, behind moving images, sound, and a carefully constructed edit. But recently, I’ve returned—almost instinctively—to still photography. Not digital, but analog: 35mm film, the kind I experimented with in a parallel universe during the late 1970s and early ’80s, when I was just beginning to find my way into filmmaking.